WORKING THE PROJECTION booth at Avon Cinema was like a second film school for Taylor Umphenour. The single-screen theater on the east side of Providence, Rhode Island—a favorite among Brown and Rhode Island School of Design students—provided a sublime mix of unlimited free movies and a century’s worth of cinematic innovation.
The nine-year education would prove invaluable to the aspiring filmmaker. But as much as Umphenour cherished the analog world of carbon rods, lenses, and aperture plates, by 2011 it was clear film was dying—or at least fading into a specialty medium.
[…] for two years the owner allowed Umphenour to photograph and film what has become a relic in most US movie theaters: the 35mm projection booth. “I saw that there was an opportunity to take people into this vanishing world,” he says, “a world that was also deliberately kept in the shadows, unseen for almost a century that it existed.”